El presente artículo tiene como objetivo estudiar la obra cinematográfica de Cristián Sánchez durante la dictadura militar chilena (1975-1990), aproximándonos al tema del espectro y de los fantasmas desde tres lugares: primero, a partir de la dicotomía establecida entre dentro y fuera del campo, ...
This article has as its objective to navigate the films made by Cristián Sanchez during the chilean military dictatorship (1975- 1990), as an approximation to the topic of the spectre from three directions. In the first place, from the dichotomy between inside and outside (of the visual field), t...